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====== Collection of Crow-Caw-phony and Chords ======

This is a digital nest for the creation of every shiny melodic fragment, harmonic experiment, and rhythmic trinket I find. Each section represents a challenge to capture a specific mood through a specific musical constraint.


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</code>
<html><center></html>
:!: **WIP** :!:
<html></center></html>

===== 01. The Seven Diatonic Modes =====
//Qard height represents a lower or higher energy state//
==== Ionian (The Major Scale) ====
<code>
Scale: W - W - H - W - W - W - H / 1 - 2 - 3 - 4 - 5 - 6 - 7

 [ Bright & Stable ]
   _____         _____         _____
  /  I  \       / IV  \       /  V  \
 (   C   )-----(   F   )-----(   G   )
  \_____/       \_____/       \_____/
</code>

==== Dorian ====
<code>
Scale: W - H - W - W - W - H - W / 1 - 2 - b3 - 4 - 5 - 6 - b7

 [ Sophisticated & Jazzy ]
                 _____
                / IV  \
   _____       (   F   )       _____
  /  i  \       \_____/       /  i  \
 (  Cm   )-------------------(  Cm   )
  \_____/                     \_____/
</code>

==== Phrygian ====
<code>
Scale: H - W - W - W - H - W - W / 1 - b2 - b3 - 4 - 5 - b6 - b7

 [ Dark & Tension-Heavy ]
   _____        _____
  /  i  \      / bII \
 (  Cm   )----(  Db   )   _____
  /_____/      \_____/   /  i  \
                        (  Cm   )
                         \_____/
</code>

==== Lydian ====
<code>
Scale: W - W - W - H - W - W - H / 1 - 2 - 3 - #4 - 5 - 6 - 7

 [ Ethereal & Uplifting ]
                _____
               / II  \
   _____      (   D   )     _____
  /  I  \      \_____/     /  I  \
 (   C   )----------------(   C   )
  \_____/                  \_____/
</code>

==== Mixolydian ====
<code>
Scale: W - W - H - W - W - H - W / 1 - 2 - 3 - 4 - 5 - 6 - b7

 [ Bluesy & Gritty ]
   _____                     _____
  /  I  \       _____       /  I  \
 (   C   )-----/ bVII\-----(   C   )
  \_____/     (  Bb   )     \_____/
               \_____/
</code>

==== Aeolian (Natural Minor) ====
<code>
Scale: W - H - W - W - H - W - W / 1 - 2 - b3 - 4 - 5 - b6 - b7

 [ Somber & Classic ]
   _____         _____
  /  i  \       / bVI \
 (  Cm   )-----(  Ab   )     _____
  \_____/       \_____/     / bVII\
                           (  Bb   )
                            \_____/
</code>

==== Locrian ====
<code>
Scale: H - W - W - H - W - W - W / 1 - b2 - b3 - 4 - b5 - b6 - b7

 [ Dissonant & Unstable ]
   _____
  / bII \       ____
 (  Db   )-----/  i°\
  \_____/     ( Cdim )
               \____/
</code>

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:!: TO BE COMPLETED. **WIP**. :!:
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===== 02. The Standard Keys (Major & Minor) =====


//Note: Sections to be filled with individual key-based compositions.//

==== Major Scales ====
=== C Major ===
=== G Major (F♯) ===
=== D Major (F♯, C♯) ===
=== A Major (F♯, C♯, G♯) ===
=== E Major (F♯, C♯, G♯, D♯) ===
=== B Major (F♯, C♯, G♯, D♯, A♯) ===
=== F♯ Major (F♯, C♯, G♯, D♯, A♯, E♯) ===
=== C♯ Major (F♯, C♯, G♯, D♯, A♯, E♯, B♯) ===
=== F Major (B♭) ===
=== B♭ Major (B♭, E♭) ===
=== E♭ Major (B♭, E♭, A♭) ===
=== A♭ Major (B♭, E♭, A♭, D♭) ===
=== D♭ Major (B♭, E♭, A♭, D♭, G♭) ===
=== G♭ Major (B♭, E♭, A♭, D♭, G♭, C♭) ===
=== C♭ Major (B♭, E♭, A♭, D♭, G♭, C♭, F♭) ===

==== Minor Scales (Harmonic/Melodic) ====
=== A Minor ===
=== E Minor ===
=== B Minor ===
=== F♯ Minor ===
=== G♯ Minor ===
=== D♯ Minor ===
=== B♭ Minor ===
=== F Minor ===
=== C Minor ===
=== G Minor ===
=== D Minor ===

===== 03. Microtonal & Xenharmonic Sets =====

==== 19-EDO ====
<code>Division: 19 equal steps per octave.
Characteristic: Greatly improved "pure" minor thirds and major sixths compared to 12-tet.</code>

==== 22-EDO ====
<code>Division: 22 equal steps per octave.
Characteristic: Excellent "super-major" and "sub-minor" intervals; very distinct "alien" feel.</code>

==== 31-EDO (Huygens-Fokker) ====
<code>Division: 31 equal steps per octave.
Characteristic: Very close to 1/4 comma meantone; allows for "septimal" (harmonic 7th) intervals.</code>

==== Bohlen-Pierce Scale ====
<code>Division: Based on the "tritave" (ratio of 3:1) divided into 13 steps.
Characteristic: No octaves! A truly experimental landscape.</code>

===== 04. World & Cultural Scales =====

==== Arabic Maqamat (Microtonal - Quarter-tones) ====
=== Maqam Rast ===
<code>Notes: C - D - E𝄳 - F - G - A - B𝄳 - C
(𝄳 = half-flat / quarter-tone)</code>
=== Maqam Hijaz ===
<code>Notes: C - D♭ - E - F - G - A♭ - B♭ - C
(Characterised by the augmented second between D♭ and E)</code>

==== Indian Raag ====
=== Raag Bhairav ===
<code>Notes: C - D♭ - E - F - G - A♭ - B - C
(Morning Raag; solemn and prayerful)</code>
=== Raag Yaman ===
<code>Notes: C - D - E - F♯ - G - A - B - C
(Evening Raag; uses the Lydian #4)</code>

==== Ethiopian Kiñit ====
=== Tizita (Major) ===
<code>Notes: C - D - E - G - A - C
(Pentatonic; nostalgic and sentimental)</code>
=== Ambassel ===
<code>Notes: C - D♭ - F - G - A♭ - C
(Used for historical narratives and legends)</code>

==== East Asian & Japanese ====
=== Hirajoshi ===
<code>Notes: C - D - E♭ - G - A♭ - C
(Dark, folk-oriented Japanese scale)</code>
=== In-Sen ===
<code>Notes: C - D♭ - F - G - B♭ - C
(The traditional "koto" scale)</code>

==== Balkan & Eastern European ====
=== Double Harmonic Major (Byzantine) ===
<code>Notes: C - D♭ - E - F - G - A♭ - B - C
Intervals: 1-♭2-3-4-5-♭6-7</code>
=== Hungarian Gypsy Minor ===
<code>Notes: C - D - E♭ - F♯ - G - A♭ - B - C
Intervals: 1-2-♭3-♯4-5-♭6-7</code>

===== 05. Named Chord Progressions =====

=== Pastoral (The "Meadow" Sound) - Caw! ===
<code>Progression: I - IV - iv - I
Example (C): C - F - Fm - C</code>

=== The Royal Road (J-Pop/Anime standard) ===
<code>Progression: IV - V - iii - vi
Example (C): F - G - Em - Am</code>

=== The Andalusian Cadence (Flamenco feel) ===
<code>Progression: i - VII - VI - V
Example (Am): Am - G - F - E</code>

=== The Mario Cadence (Heroic Departure) ===
<code>Progression: ♭VI - ♭VII - I
Example (C): A♭ - B♭ - C</code>

===== 06. Esoteric & Experimental =====

=== Prometheus Scale (The Mystic Scale, seen in Indian pop) ===
<code>Notes: C - D - E - F♯ - A - B♭
Source: Alexander Scriabin. Hexatonic (6-note) scale.</code>

=== Messiaen Mode 2 (Octatonic / Whole-Half) ===
<code>Notes: C - C♯ - D♯ - E - F♯ - G - A - B♭ - C
Characteristic: Alternating half and whole steps. Symmetry.</code>

=== The Enigmatic Scale ===
<code>Notes: C - D♭ - E - F♯ - G♯ - A♯ - B - C
Source: Giuseppe Verdi.</code>

=== Negative Harmony Mirror ===
<code>Concept: Mirroring C Major around the C/G axis.
Result: G Phrygian (G - A♭ - B♭ - C - D - E♭ - F - G).</code>

===== 07. Compositional Challenges =====

==== The Tritone Scavenge ====
<code>Constraint: Every melodic interval must be an augmented 4th (tritone). Chords must contain at least one tritone.</code>

==== The Hollow Bone (Monophony) ====
<code>Constraint: A single melodic line only. No harmony, no chords, no double-tracking. Focus on rhythm and phrasing.</code>

==== The Murder's Flight (Polyrhythm) ====
<code>Constraint: Use 3 against 4 or 5 against 7 patterns throughout the piece to mimic chaotic bird flight.</code>

==== Corvid Vocalisation (Mimicry) ====
<code>Constraint: Use portamento (slides) and microtonal bends to mimic the "caw" and "click" sounds of a crow.</code>

==== The Shiny Object (Ostileto) ====
<code>Constraint: One short, high-pitched melodic phrase must repeat (loop) through the entire song regardless of key changes.</code>

==== Twelve-Tone Row (Serialism) ====
<code>Constraint: Use all 12 notes of the chromatic scale in a specific order. No note can repeat until all 12 are played.</code>
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